Showing posts with label blog. Show all posts
Showing posts with label blog. Show all posts

Wednesday, April 23, 2014

What The Fuck Happened to XV? (or any other rapper who we thought was "next up") ****RAPPERS THAT FLOPPED***

Chiddy Bang, XV, Asher Roth, Donnis, The Cool Kids ... What all these names have in common isnt anything to brag about it. They all fell victim to a quick success and an even quicker disappearance. To be clear, I dont think any of the names mentioned stopped making music (i know xaphoon jones left chiddy bang but i believe chiddy continued on). Nor do I think they make bad music, but god knows I havnt herd a new Donnis or XV song in two years. 
I remember after XV's amazing 'Everybody's Nobody' mixtape I was positive he was the next up. I felt like he had what it took to really blow up (he was a great artist with cross over appeal and what seemed like a dedicated fan base) and I championed him every chance i got. The next few tapes he released were still great but didnt quite measure up to what fans had come to expect. 
A huge part of XV's rise was his producer Seven who i believe ended up leaving XV's side. XV picked up new in-house producers that never really measured up to the chemistry XV and Seven had. The hype Chiddy Bang had was wearing off long before Xaphoon decided to make the split but even though Chiddy had some bars I dont think anyone would have cared about him if he wasnt over awesome hip hop beats made out of flipped indie rock samples. 
Donnis rose to fame with his song 'gone' and debut tape that followed. Donnis' problem was he made BETTER music after and I dont think his label and/or management knew how to market it. His mixtape Fashionably Late sounds like what a lot  of people sound like now (Drake, Asap Rocky). It almost reminds me of Kanye's '808s & heartbreak'. When that came out people talked so much shit about the "boring production" "use of auto-tune from a rapper" "too sad" blah blah blah. Literally a year later Drake's 'So Far Gone' got praise from critics and fans for the same reason 808s got trashed. Kanye got shit on so no one had to after him (doubt this was what he had in mind, i dont think Kanye likes getting shitted on, literally or figuratively).
The case of The Cool Kids, they pretty much  pioneered hip hop fashion as we know it today (for better or worse Lord Jamar). Chuck Inglish & Mikey Rocks came on the scene and changed everything, but not on a large enough scale. Half a a year later, the New Boyz came out. An essentially younger version of the Cool Kids with a major label and clothing brands (Hot Topic) backing them. After the "jerkin" hype wore off people started to act like the Cool Kids were old news and biting off the New Boyz (who wernt even hot anymore). 
A few questions arise. Are you fucked if you try (or dont try) and be innovative? Are you cursed if people prematurely call you "next up"? Are the producers more important than the rappers themselves? Hard to say and I think this has been debated for a long time. If the beat isnt hot no one wants to listen to it but if the rapper sucks its the same conclusion (or is it.. Young Thug). Did mixtapes make it so that an artists best material is done before that artist is even signed? Remember when  J Cole's debut album came out? Everyone acted like it was the worst album ever because it didnt live up to the three mixtapes he had put out prior. 
Asher Roth has a different problem. He came up at the very end of record companies having any kind of control in the music industry. His "image" and identity pretty much seemed to be created, considering his interviews and freestyles never quite mirrored how his album perceived him to be. To this day I find myself arguing with people over whether or not Asher Roth is a good rapper. If you think he's whack you are not educated enough in his music. Not an opinion, this is a fact. The kid has skills, i.e. impeccable flows and word play, but will never get the credit he deserves or be taken seriously because of the image made to market him early on (before the internet proved consumers just want REAL). Since his rise he has tried to do everything he can to erase what people perceive him to be but amazing mixtape after amazing mixtape cant erase what we were told he was. 
Some people from then have stayed around (Drake & J Cole being the real mainstays, keep in mind Kendrick came up a few years after). 
Oh yeah, remember Fashawn or Mickey Factz? Maybe that XXL Freshman cover is a curse (B.O.B. & Wale are doing okay). Also in a few years will people like ASAP Rocky fall into this trap? It already seems like people like Freddie Gibbs are (which saddens me deeply, you gotta love Gangsta Gibbs!).
Who knows? I dont. All I know is we need to stop saying who's "next up" (including myself) because I have never been right (except for Kendrick Lamar, GO TDE GO!). Instead Future has had a moderately lasting career and who would have ever thought that could be possible when he first emerged as the guy who terribly sung "Tony Montana".  Just let shit pan out. listen to what you like, dont listen to what you dont like. Yes, I am talking to myself as well as you all. 









Saturday, March 8, 2014

WHY DOES EVERYONE HATE MARTIN GARRIX? ...Oh Yeah, I know...




     So Mixmag posted an interesting article the other day talking about how the irrational hate for Skrillex is over. I thought it addressed a good point because for years I was watching the whole dance music community slam this dude when i thought he hadnt done anything but be successful. Even if you dont like or care about dubstep there is no reason to HATE Skrillex. People just get mad when they feel like someone is getting more credit than anyone else.





     It's no different in Hip Hop. I saw Lil Wayne go from hip-hop's MVP to most hated. Why? Maybe his punchlines started to lack a bit, but why treat him like he's the worst rapper of all time? It's because when someone is that famous people feel like they should be masters of pleasing everyone, which is not the case. I could do on about the accomplishments Lil Wayne and Skrillex have overcome but this article isnt about them.



     Martin Garrix bursted threw the EDM scene with the biggest dance single since "Levels" and at only 17. He was immediately accused of having a ghost producer and quickly put those rumors to rest when he posted an hour long video of him showing how he made the song.


     Most huge dance singles need vocals to carry them to Top 40 success (i.e. Levels, Clarity, Get Lucky) but Martin Garrix managed to make the chart smashing, #1 single with no other words but "we're the fckin animals". So we have a 17 year old kid who produced this track by himself (quite a feat in today's standards), got it put out on one of the biggest dance labels in the world, had it blow up in the UK and then #1 in the US.. You get it. But I dont. Why do we all still hate on this kid? why do we care?



     People say his sound is generic but i would like to argue that. When Led Zeppelin put out a record, it sounds like led zeppelin. Same with just about any band in the history of time. So why cant Martin Garrix have his own sound? That percussive click sound you hear in the drop was not "over done" when Animals first came out. Most of us had never herd anything like that at all at the time. Plus, check out tracks like BFAM and his new track Proxy. Neither of the drops sound like Animals or Wizard. 



     A lot of people are going to think I'm a Martin Garrix dick rider but that is not the case. I'm pretty 50/50 on the kid. In the same token how could i hate on a 17 year old kid that made it from nothing to something with one song? So lets stop this.. realize that you would probably give your left nut to have made Animals and reaped the same benefits. 







Tuesday, September 24, 2013

NOTHING PISSES ME OFF MORE THEN.. (#1) with Dennis C Donahue : The Only Good Yuppie Is A Dead Yuppie


The Only Good Yuppie Is A Dead Yuppie by Dennis Donahue

     As gentrification increases significantly in several neighborhoods in the inner Boston area and of the surrounding area, that means there is also an increase of "Young Urban Professionals." That's how the term "yuppie" is coined. And just like everyone else, they’re trying to earn an honest, comfortable living situation. And there is absolutely nothing wrong with wanting to make a comfortable living situation for ones self. Isn't that the ultimate goal in life anyway? However, yuppies are different. A vast majority (most of) of these "yuppies" take things too far. And by that I mean on essentially all ends of the spectrum. It's their attitude and overall behavior is what urks most locals. It's their sense of entitlement. Just because you moved to an inner city area within the past few years doesn't put you any higher on the social food chain. Most of them walk around with their nose up in the air, "I'm better than you" persona. And that's where the line gets crossed. To have a complete lack of respect for your peers/neighbors and live in your own fantasy world when you're still "new", is not the way to go. 

     Yuppies are hated by locals, to each of their own. See, the problem lies in their attitude and overall outlook. They act like they own the place and pretty much embarrass the locals by well, being themselves. Loud, entitled, obnoxious, etc. And in recent years, the number of these "yuppies" has sky-rocketed dramatically. Which ties back to the whole gentrification issue. People who are of lower income families are being punished in a sense. Cost of living has climbed, local businesses are forced to close down (not all, but a very large chunk of them), etc. 
     With that being said, that means the culture of our neighborhoods and areas alike are being tarnished by corporate takeover. The local bar turns into a Starbucks. Churches and family houses turns into condos/apartment complexes. Exploitation is what's taking over. And it's awful. Who can afford these expensive cars and condos and everything else of that nature? Here lies the answer: yuppies. And that's not to say they're the only ones with money, because frankly, that's just a fabrication. BUT, it's the fact that they flaunt it. And as I said before, not all of them are bad. Just most. And sadly, it's only going to get worse as time progresses. All we can really do is try and sustain what little culture we have left because sooner or later, there's going to be no culture left to dwell on.



Thursday, August 29, 2013

COMING SOON FROM FRE$H PANDA BLOG (FPB)

NOTHING PISSES ME OFF MORE THEN..
with Dennis C Donahue

Dennis will spit off a weekly rant of shit that pisses him off. For the people out there that just like to bitch and hear people bitch about all the things that suck, you can check up weekly and see what the fuck he's got to say. 
Public transportation, mooches and Asians are all but saved when Dennis tells us all what really "grinds his gears".












MIX OF THE WEEK

We are two weeks deep in our "Best Mix Of the Week" series. Adventure Club and Machine Gun 808's starting it off, make sure to check up once a week for an hour long party!
















The Burning Question
with Max Davis

Is racial profiling okay? Do we all do it? What genre of music is worth for the youth, Hip Hop or EDM?

Any topic you dont want to bring up to anyone are tackled here. Every week a new controversial issue will be addressed. To submit your "burning question" just email WellyEnt@Gmail.com









Friday, March 8, 2013

TRAP SHOWS BOSTON! (Bassnectar, Flosstradamus, Juicy J, HeRobust, Dillion Francis, Araab Muzik & more)

Upcoming shows you dont wanna miss:


SHOWS:

Dillion Francis -
Wed, March 27th 7 p.m. (18+)
@ House of Blues

Flosstradamus & DJ Spinz 
@ The Paradise
Saturday, March 30
Doors at 8 PM; (18+) Show

Bassnectar
April 18th & 19th
@ House Of Blues


UPDATE

ARAAB MUZIK
@ Amherst Mullins Center
April 20th


Gramatik & HeRobust
@ Royale
Thurs, May 2nd

Dirtyphonics, Etc! Etc!, 
@ Royale / Wed, May 8th (18+)

Juicy J & A$AP Ferg
Wed, May 15th @ The Wilbur Theater

Wednesday, March 6, 2013

FRE$H PANDA Co. COMMERCIAL! / ANNOUNCE SPR!NG COLLECTION!

NEW CLOTHES FROM FPC !! Check em out via the new commercial HERE

check out pictures of the new ish too:






Until their website starts up you can order shirts directly from FreshPandaCo@gmail.com





also watch Alex Zander sport some Fre$h PANDA gear in his new video "Hate Me Then"


Friday, March 1, 2013

WILL TRAP FLOP IF IT DOES NOT GO POP!?!?

An interesting thing dawned on me the other day. Some girl at the club i was at was bitching that the trap music they where playing was dope but if it didnt throw some melody in it quick the "girls would get bored and stop dancing" and "whats the point if girls arnt dancing". After being a little butt hurt (being a trap fan) I realized she was right.
     House acts (via Calvin Harris, Benny Benassi etc) & Dubstep artists (via Zedd, Skrillex etc) have all managed to shoot their particular genre up and into the masses because of catchy, poppy, accessible riffs and hooks. Dont get me wrong, Trap can be very catchy with its repetitive toned downed hooks but until there's a melody to go along with those heavy ass 808s I'm afraid the clubs hosting these trap events will become more and more.. well, "bro". \
     The question is if trap gets poppy, will it still be trap? Will it still go hard? If its poppy wont it be lame and boring. Well, I will say that i would hate it if all trap got pop, but, there are already a sufficient amount of artists and remixes that do mix Top 40 & Trap successfully (*Trap-Pop list coming soon). I will also say:  Is any music good if your dancing at a club full of dudes (unless you're into that of corse). I love trap music, i feel its more for me then say, dubstep. BUT i will have alot of fun at dubstep shows because of the biddies. Hot girls flock these dubstep/house/top40 shows/clubs. You can find a very nice percentage at trap shows too but for how long? I'm hoping as a genre, "trap" can elevate even further in the clubs, masses and lure in big booty hoes everywhere. Will it? only time can tell but i wouldnt rule the idea out completely. Trap music in hip hop can definitely be found in more poppy form (via T-Minus, DJ Spinz, Mike Will Made It).
     So producers.. time to remix some Dr Luke or David Guetta. Dont let the haters be right about Trp going anywhere.

-Max Davis


Monday, December 17, 2012

GLWODB (Good Looks We On Da Beach) NostalgiK, Alex Zander, MITTZ +

on top of launching the GLWODB new website
we also get a gang of new songs from the Boston label.

NostalgiK drops their debut music video featuring Boston legands N.B.S. (Natural Born Spitters)
NostalgiK's album "The Come Up" should drop end of 2013


GLWODB's newest sigh-nee goes by the name of Mittz, check out the first song he's dropped for his debut mixtape here:




Also: Alex Zander's "Brain Freeze & Nose Bleeds" EP is coming soon and features production from SELA. (Kitty Pryde), Nuggiez, DWMB, Ski Beatz (Curren$y, Smoke DZA), Dirt Up (A$AP Ant), Ginga' Breadf + more. Featured artists include Peter Pacman, TheMermaid, Mittz, Champ Chuck, EMW & much more



Monday, November 12, 2012

RUN THE TRAP! (Baauer, Yellow Claw, Candyland & More)

Okay, so for those who don't know, all the kids who loved the hip hop / dance tangle in dubstep but got sick of it's "much" tendencies have picked up what they are calling TRAP music. Their trap music is very similar to the hip hop sub genre by the same name but has dance breaks, alot more synths etc. But when it comes down to it, they both give you those killer rolling 808's that Lex Luger (via Waka Flocka / Rick Ross) popularized about two years ago.  Now hip hop and old dubstep fans have new, ground breaking beats for the club with this new Trap shit. While i wish it had a slightly different name (something not as corney as "Trapstep") this shit is fucking awesome. Soundcloud is flooded with these 30-60 minute trap mixes from various DJ's so you can just take some molly, let them play and get a party going wherever. YouTube channels such as  & blogs like Run The Trap give you all the the Trap you'll need at first. But i do warn.. it becomes an addiction. Anyway, without further a-due, Peep the TRAP








get more @ Official Trap City (youtube)
or This is Trap Music (soundcloud)

Stay tuned for the trap mix dropping on FPB's 8Tracks