Showing posts with label 2014. Show all posts
Showing posts with label 2014. Show all posts

Wednesday, April 23, 2014

What The Fuck Happened to XV? (or any other rapper who we thought was "next up") ****RAPPERS THAT FLOPPED***

Chiddy Bang, XV, Asher Roth, Donnis, The Cool Kids ... What all these names have in common isnt anything to brag about it. They all fell victim to a quick success and an even quicker disappearance. To be clear, I dont think any of the names mentioned stopped making music (i know xaphoon jones left chiddy bang but i believe chiddy continued on). Nor do I think they make bad music, but god knows I havnt herd a new Donnis or XV song in two years. 
I remember after XV's amazing 'Everybody's Nobody' mixtape I was positive he was the next up. I felt like he had what it took to really blow up (he was a great artist with cross over appeal and what seemed like a dedicated fan base) and I championed him every chance i got. The next few tapes he released were still great but didnt quite measure up to what fans had come to expect. 
A huge part of XV's rise was his producer Seven who i believe ended up leaving XV's side. XV picked up new in-house producers that never really measured up to the chemistry XV and Seven had. The hype Chiddy Bang had was wearing off long before Xaphoon decided to make the split but even though Chiddy had some bars I dont think anyone would have cared about him if he wasnt over awesome hip hop beats made out of flipped indie rock samples. 
Donnis rose to fame with his song 'gone' and debut tape that followed. Donnis' problem was he made BETTER music after and I dont think his label and/or management knew how to market it. His mixtape Fashionably Late sounds like what a lot  of people sound like now (Drake, Asap Rocky). It almost reminds me of Kanye's '808s & heartbreak'. When that came out people talked so much shit about the "boring production" "use of auto-tune from a rapper" "too sad" blah blah blah. Literally a year later Drake's 'So Far Gone' got praise from critics and fans for the same reason 808s got trashed. Kanye got shit on so no one had to after him (doubt this was what he had in mind, i dont think Kanye likes getting shitted on, literally or figuratively).
The case of The Cool Kids, they pretty much  pioneered hip hop fashion as we know it today (for better or worse Lord Jamar). Chuck Inglish & Mikey Rocks came on the scene and changed everything, but not on a large enough scale. Half a a year later, the New Boyz came out. An essentially younger version of the Cool Kids with a major label and clothing brands (Hot Topic) backing them. After the "jerkin" hype wore off people started to act like the Cool Kids were old news and biting off the New Boyz (who wernt even hot anymore). 
A few questions arise. Are you fucked if you try (or dont try) and be innovative? Are you cursed if people prematurely call you "next up"? Are the producers more important than the rappers themselves? Hard to say and I think this has been debated for a long time. If the beat isnt hot no one wants to listen to it but if the rapper sucks its the same conclusion (or is it.. Young Thug). Did mixtapes make it so that an artists best material is done before that artist is even signed? Remember when  J Cole's debut album came out? Everyone acted like it was the worst album ever because it didnt live up to the three mixtapes he had put out prior. 
Asher Roth has a different problem. He came up at the very end of record companies having any kind of control in the music industry. His "image" and identity pretty much seemed to be created, considering his interviews and freestyles never quite mirrored how his album perceived him to be. To this day I find myself arguing with people over whether or not Asher Roth is a good rapper. If you think he's whack you are not educated enough in his music. Not an opinion, this is a fact. The kid has skills, i.e. impeccable flows and word play, but will never get the credit he deserves or be taken seriously because of the image made to market him early on (before the internet proved consumers just want REAL). Since his rise he has tried to do everything he can to erase what people perceive him to be but amazing mixtape after amazing mixtape cant erase what we were told he was. 
Some people from then have stayed around (Drake & J Cole being the real mainstays, keep in mind Kendrick came up a few years after). 
Oh yeah, remember Fashawn or Mickey Factz? Maybe that XXL Freshman cover is a curse (B.O.B. & Wale are doing okay). Also in a few years will people like ASAP Rocky fall into this trap? It already seems like people like Freddie Gibbs are (which saddens me deeply, you gotta love Gangsta Gibbs!).
Who knows? I dont. All I know is we need to stop saying who's "next up" (including myself) because I have never been right (except for Kendrick Lamar, GO TDE GO!). Instead Future has had a moderately lasting career and who would have ever thought that could be possible when he first emerged as the guy who terribly sung "Tony Montana".  Just let shit pan out. listen to what you like, dont listen to what you dont like. Yes, I am talking to myself as well as you all. 









Saturday, March 8, 2014

WHY DOES EVERYONE HATE MARTIN GARRIX? ...Oh Yeah, I know...




     So Mixmag posted an interesting article the other day talking about how the irrational hate for Skrillex is over. I thought it addressed a good point because for years I was watching the whole dance music community slam this dude when i thought he hadnt done anything but be successful. Even if you dont like or care about dubstep there is no reason to HATE Skrillex. People just get mad when they feel like someone is getting more credit than anyone else.





     It's no different in Hip Hop. I saw Lil Wayne go from hip-hop's MVP to most hated. Why? Maybe his punchlines started to lack a bit, but why treat him like he's the worst rapper of all time? It's because when someone is that famous people feel like they should be masters of pleasing everyone, which is not the case. I could do on about the accomplishments Lil Wayne and Skrillex have overcome but this article isnt about them.



     Martin Garrix bursted threw the EDM scene with the biggest dance single since "Levels" and at only 17. He was immediately accused of having a ghost producer and quickly put those rumors to rest when he posted an hour long video of him showing how he made the song.


     Most huge dance singles need vocals to carry them to Top 40 success (i.e. Levels, Clarity, Get Lucky) but Martin Garrix managed to make the chart smashing, #1 single with no other words but "we're the fckin animals". So we have a 17 year old kid who produced this track by himself (quite a feat in today's standards), got it put out on one of the biggest dance labels in the world, had it blow up in the UK and then #1 in the US.. You get it. But I dont. Why do we all still hate on this kid? why do we care?



     People say his sound is generic but i would like to argue that. When Led Zeppelin put out a record, it sounds like led zeppelin. Same with just about any band in the history of time. So why cant Martin Garrix have his own sound? That percussive click sound you hear in the drop was not "over done" when Animals first came out. Most of us had never herd anything like that at all at the time. Plus, check out tracks like BFAM and his new track Proxy. Neither of the drops sound like Animals or Wizard. 



     A lot of people are going to think I'm a Martin Garrix dick rider but that is not the case. I'm pretty 50/50 on the kid. In the same token how could i hate on a 17 year old kid that made it from nothing to something with one song? So lets stop this.. realize that you would probably give your left nut to have made Animals and reaped the same benefits. 







Thursday, February 13, 2014

BOSTON EDM/BASS SHOWS! (Feb-Mar 2014) w/ Brillz, DVBBS, GTA, What So Not, MAKJ, D!RTY AUD!O, JSTJR & MORE!!!

February:

Tues, Feb 4th *** 2 Chainz, Pusha T & Hucci @ House Of Blues

Wed, Feb, 5th *** Martin Garrix, Jay Hardway @ Royale

Sat, Feb 8th *** LOUDPVCK, Paper Diamond & Gents & Jaws @ Paradise


Fri, Feb 14th *** JSTJR, Choppa Dunks @ RISE

Fri, Feb 14th *** Brillz @ Julep Bar

Sun, Feb 16th *** Zeds Dead @ House Of Blues

Thur, Feb 20th *** Big Gigantic, GLAdiator @ House Of Blues

Fri, Feb 21st *** Deorro @ Royale

Thurs, Feb 27th *** Candyland, Kill Paris @ Royale

Fri, Feb 28th *** DVBBS @ Royale

Fri, Feb 28th *** MAKJ @ Julep Bar

Fri, Feb 28th *** JSTJR & Friends @ Middle East Upstairs

Fri, Feb 28th *** Infected Mushroom, Butch Clancy @ House Of Blues

March:

Sun, Mar 2nd *** Schoolboy Q @ The Wilbur

Wed, Mar 5th *** GTA, What So Not @ Naga

Tues, Mar 11th *** Juicy J @ House Of BLues

Wed, Mar 26th *** D!RTY AUD!O @ Middle East Upstairs

Thur, Mar 27th *** Excision @ House Of Blues




Wednesday, September 4, 2013

MIX OF THE WEEK: Alesso - Electric Zoo NYC 2013 Live Broadcast on Sirius XM

winner of this week's "MOTW" is the live stream of Alesso's awesome EZoo set. 

LISTEN/DOWNLOAD HERE

the tracklist on this thing cant be found anywhere which is a bummer. Regardless, turn up and TURNUP to this!







Monday, September 2, 2013

Truly Music? The Modern Trap Music: A Normative Critique.



by Kenneth Schick

Trap music is a music genre that originated in the early 2000s from Southern hip hop and crunk in the Southern United States. It is typified by its lyrical content and trademark sound, which incorporates 808 sub-bass kick drums, sped-up hi-hats, layered synthesizers, and "cinematic" strings.
In 2012, a new movement of electronic music producers and DJs emerged who began incorporating elements of trap music into their works. This helped expand its popularity among electronic music fans. A number of stylistic offshoots of trap developed, which in the latter half of 2012 gained a rise in viral popularity and made a noticeable impact on dance music.


History 


2000s: Beginning and origins 
The term "trap" was literally used to refer to the place where drug deals are made. Fans and critics started to refer to rappers whose primary lyrical topic was drug dealing, as "trap rappers."
UGK and Three 6 Mafia were among the first rappers to introduce trap music. The lyrics covered topics about life in "the trap", drug dealing and the struggle for success. Most of these sub-genres combined trap-style drum patterns with EDM synths, Five popular EDM trap producers were set to perform at the 2013 Ultra Music Festival - Carnage, UZ, DJ Craze, Baauer and Flosstradamus.

Thursday, August 29, 2013

COMING SOON FROM FRE$H PANDA BLOG (FPB)

NOTHING PISSES ME OFF MORE THEN..
with Dennis C Donahue

Dennis will spit off a weekly rant of shit that pisses him off. For the people out there that just like to bitch and hear people bitch about all the things that suck, you can check up weekly and see what the fuck he's got to say. 
Public transportation, mooches and Asians are all but saved when Dennis tells us all what really "grinds his gears".












MIX OF THE WEEK

We are two weeks deep in our "Best Mix Of the Week" series. Adventure Club and Machine Gun 808's starting it off, make sure to check up once a week for an hour long party!
















The Burning Question
with Max Davis

Is racial profiling okay? Do we all do it? What genre of music is worth for the youth, Hip Hop or EDM?

Any topic you dont want to bring up to anyone are tackled here. Every week a new controversial issue will be addressed. To submit your "burning question" just email WellyEnt@Gmail.com